Catalog

/imagine a founder reading a printout at a standing desk in a bright studio apartment, premium editorial photography, colour palette warm cream #F6F1E7 with royal blue #1E40AF and coral #F26B5B accents, soft diffused window light from the left, rule-of-thirds composition with negative space on the right, mood calm and focused, subtle 35mm film grain and matte finish, no readable text, no logos, no watermark --ar 16:9 --s 150 --c 10 --v 7

Result (four-grid): all four images share the cream room, the blue accent on a notebook or chair, and the same soft left light; the subject's pose varies. Image 2 has the cleanest right-side negative space — upscale it, then run the same style line with a new subject for the next asset.

Run 1 — "editorial minimal to swiss grid": 4 studies, mostly type-led layouts on cream, one with a single coral block. Keep #2.
Run 2 — "bold gradient to organic blob": 4 studies, loud and warm; #3 reads premium, #1 and #4 read like a crypto site. Keep #3.
Run 3 — "monochrome photo to dual-tone coral + blue": #2 and #4 both strong; #4 has a human figure, which the brief wants. Keep #4.
Run 4 — "brutalist to soft 3D": nothing on-brief; the 3D ones drift corporate. Keep none.
Run 5 — "magazine collage to clean product UI": #1 is the most distinct thing in the set. Keep #1.

Gut cut: 20 → 8. Brief cut (premium + human): 8 → 4. Coverage cut (meaningfully different): 4 → 3.

Directions to present:
A. Type-led cream with one coral block (Run 1 #2)
B. Dual-tone editorial photo with a figure (Run 3 #4)
C. Collage with torn-paper edges (Run 5 #1)
Move all three into Figma; start high fidelity on B.

Generated: a single paper plane lifting away from a neat stack of sticky notes, flat vector style with two-tone shading and no outlines, royal blue plane on a warm cream background with one coral note on top of the stack. The subject sits in the left 55% of the frame; the right 45% is clean cream with no elements. 16:9, 2048 px wide. No text, no logos, no screens.

Revision requested: "keep everything, make the plane's shadow softer and add a faint dotted flight path." Kept composition and palette; softened the shadow to 20% opacity; added a dotted arc from the stack to the plane in the same blue.

Piece 1 (anchor run, no --sref): four candidates; #3 has the cleanest horizon and the terracotta sits exactly where the brief wants it. Upscaled, uploaded, URL saved.

Pieces 2–12 (with --sref anchor, --sw 250): each run returns four siblings in the same palette and block-colour language; the mountain silhouettes vary — a ridge, a twin peak, a low rolling range, a lake reflection — while the horizon line stays at the lower third in all of them.

Collection check (grid view): twelve tiles, same cream sky, same three colours, same weight. Two pieces (#7, #10) introduced a fourth colour; rerun those with --sw 300. Final set: 12 squares, 4K, no text, no signature, ready for a 3-mockup listing each.

/imagine a 30-something founder in a sunlit home office, editorial photography, warm golden-hour window light from behind and to the right, shallow depth of field, quietly confident expression, candid moment not posed, subject placed on the left third with clean negative space on the right for a headline, muted cream and royal-blue tones, slight film grain, no text, no logos --ar 16:9 --s 150 --c 10 --v 7

Four-grid read: image 1 and 3 have the subject centred (discard); image 2 has the cleanest right-side space and the light wraps the face without blowing out; image 4 is a near-duplicate of 2 with a busier background. Upscale 2 (Subtle). If the hand on the mug is off, Vary Region the hand only; do not reroll.